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2011年10月9日 星期日

Alternatives or scarcity, what will life after oil hold?

Americans like to imagine the future. From the world's fairs of the early 20th century to futuristic magazine features in the 1950s to the 1980s "Back to the Future" films, we love dreaming up what might come next.The additions focus on key tag and magic cube combinations,

When we dream, it turns out, we dream without oil. The show-stealer at the Chicago World's Fair in 1893 was a demonstration of alternating current – a massive generator that made it possible to snuff out household oil lamps and switch on a light bulb. Doc's time machine in "Back to the Future" runs on garbage, and the "hoverboard" the hero in the film's sequels hops on to outrun the bad guys flitted on whimsy, not oil. And no one in the "Star Trek" franchise ever said, "Captain Picard, we need to swing by the gas station."

With today's volatility at the local pump, contentious debates about "peak oil,These girls have never had a oil painting supplies in their lives!" and soaring global interest in biofuels, imagining how the world looks without oil isn't just a fanciful distraction. There's lively debate about how far away a post-oil world is – earliest estimates are around 2030, while many analysts say that, as technology changes to accommodate fluctuations in the oil supply, we'll never technically see an end to oil. But advisory bodies such as the International Energy Agency and the US National Intelligence Council expect oil demand to spike, and supply to dwindle, over the next 15 years – which makes imagining a post-oil future an urgent task of the present.

There's no doubt that the world will look different – and not just a little bit different, suggests Dennis Bushnell, chief scientist at the NASA Langley Research Center in Virginia.

"After oil, we'll be in the virtual age," he says. Machines will take many more of our jobs. The ones we keep, we'll do by telecommuting. We'll still teleshop, but we'll probably buy less. "Physical universities will be a wasteland" by 2040, he predicts, as most degrees will be earned online. We'll even visit the doctor – and the Bahamas – virtually. "You [will] smell and feel the breeze, the sand, [and] the sun. You can do this at any time you want, anywhere you want, with anyone you want. Be anyone you want, and do anything you want," he says. "Machines are creating the world.... We're living virtually. This is the world 30 years out."

If these wild scenarios aren't far off, the circumstances they have in common – the absence of oil – is further out. Today's public is convinced it will never see an oil-free world. Less than one-quarter of Americans believe oil will run out in their lifetime, according to a September Christian Science Monitor/TIPP poll. Young adults are slightly more concerned: Thirty-eight percent of respondents ages 18 to 24 said it was "likely" they would see the end of oil.

Even oil industry experts acknowledge that having a stable supply of oil doesn't mean we must – or should – rely on it. A post-oil world may not be an inevitability to which we must react, but it may be a world we choose to create.

There are compelling reasons to make that choice, says Amy Myers Jaffe, coauthor of "Oil,we supply all kinds of polished tiles, Dollars, Debt, and Crises: The Global Curse of Black Gold" and director of the Baker Institute Energy Policy Initiative at Rice University in Houston. "They range from reducing our trade deficit to taking away instability in our financial system ... to global warming and protecting our environment."

It would be a mistake to see this element of free will as a hippie hangover or sneaky environmentalism. Whether we wait to run out of oil or choose to replace it before then may determine all that comes next.we supply all kinds of polished tiles, "How we leave the age of oil and what we set up for beyond that is really key to what the world looks like when there's a lot less oil," says Lisa Margonelli, director of the New America Foundation's Energy Policy Initiative. Do we update power grids to accommodate a surge in electric cars? Beef up public transit networks in less-urban areas? Bet on a biofuel breakthrough and plan for the adaptations that it would require? "There's a lot of differences among biofuels," says Ms. Margonelli.It's hard to beat the versatility of zentai suits on a production line. "An ethanol-based biofuel ... needs a whole different transit structure [than] a butane-based biofuel, or biodiesel, or biogas."

Choices made now about the coming energy transition will have a global effect. The Gulf states, home to "oil sheikhs," may see their influence fall. Some of those sheikhs, meanwhile, are moving away from oil: Saudi Arabia, an ally the United States has cultivated especially for oil, is making major investments in solar energy, both to use at home and sell abroad. Brazil, which along with the US is expected to produce most of the world's biofuel by 2015, may see its global clout rise.

And to Margonelli, at least, the Arab Spring suggests energy-rich regimes may suddenly see the wisdom of sharing the wealth domestically. "[Y]ou already see the beginnings of the next thing," she says. "The question is ... how do the dominoes hit each other as we go forward."

There are more concrete questions at hand as Americans imagine that way forward. Do we plug in our cars or feed them beets? Do we even still drive? Do we power our iPods by walking down the street, or cook dinner with stored solar energy? Not all of these scenarios are about oil substitution – none of us today toasts up a grilled cheese sandwich over a gasoline fire – but in the energy sector, the focus is broadly on alternative fuels, not just on oil replacements.

"The scenarios differ a lot depending on what the actual trigger is for the move away from fossil fuels," explains Patrick Tucker, spokesman for the World Future Society. "With mass depletion of oil, you get a price explosion, and this would have a really different effect than if we're able to move transitionally from oil as a result of application of sound technology."

2011年9月28日 星期三

Heart of Louisiana: mud painter

Louisiana's stunning landscapes, its wildlife and majestic old homes are popular subjects for homegrown artists. Baton Rouge painter Henry Neubig figures he's created five-thousand of these scenes.

But there is something unique and very natural about the colors, the earthy tones you see in his paintings. They' all done with genuine Louisiana mud.

"Egg yolk and mud and water. Smear it on paper and it becomes a mud painting," Neubig says.

There is no oil, no acrylic, no store-bought colors. About 20 years ago, Henry began collecting mud from around the state.

"Talking with geologists at LSU, I think that Louisiana probably has more colors than any state because of the action of the Mississippi River."

The sediment that created our land was delivered by the big muddy river,Save on Bedding and fittings, which has spent thousands of years dropping sand and soil from more than 30 states.

"Some are gummy, some are transparent, some are opaque, some are sandy, and it's a different medium than any other professional medium.ceramic Floor tiles for the medical,"

It's the way ancient Native Americans painted, and many of the great frescos in Europe were created by mixing colored pigments with egg yolk.

"Egg yolk has the oil and fats that make it a natural medium," Neubig says.

All of the colors in Henry's paintings come from these seven basic pigments. These are oxides that he digs out of clays from five different places in Louisiana.

"Pink, the yellow and this kind of a neutral orange comes from West Feliciana. This black is down in Terrebonne or anywhere in south Louisiana that has sugarcane. The carbon from burning the cane. The green, very unusual color from up near Arkansas in Webster Parish. The mineral in this is called glauconite."

You won't find any blue in these paintings. The color isn't found in louisiana soil. But he doesn't need blue to paint the sky or the water,The additions focus on key tag and impact socket combinations, which mirrors a magical landscape.

"I love the birds, and different gestures of birds and different environments,As many processors back away from Cable Ties , and I love birds and water and trees. And there's a million ways you can paint them, so there's an endless supply of it," Neubig says.

Henry Neubig figures his paintings have sold in 50 countries. And with each work of art,Initially the banks didn't want our RUBBER SHEET . a little bit of Louisiana -- its mud -- and its natural beauty are being shared around the world.

2011年7月19日 星期二

Marion man's Civil War-era opera house full of history, surprises

Partially submerged in fine gravel in a hole under the floor in a dimly lit corner of the opera house, four oddly shaped glass bottles and a metal container lie exposed.

How long the latest find of his historical project had been hidden under wood flooring and stone, Dennis Mattix doesn't know. Judging by his knowledge of the history of the opera house he's been restoring off and on for about 40 years, he's guessing the bottles were concealed sometime in the Civil War era.

"It was interesting," Mattix said, adding the discovery of the hole, which also contained a rusted-out padlock, assured him of its 19th century beginnings. "We never were really sure of the age of the opera house."

Located on Owens Road between Ohio 4 and Gooding Road, the opera house is part of property Mattix and his brothers purchased in 1971. After his oldest brother died, he became the sole owner of the land, which includes - in addition to the residence he shares with his wife, Donna - a blacksmith shop, a covered bridge that he built from wood salvaged from an early 1800s-era barn and the grave of a 31-year-old man who died in 1821.

All were of interest to the Marion Area Genealogy Society, which was the first group to visit the opera house after it served as a storage building for 80 to 90 years, first when it was owned by the Owens family that started Owens quarries, then after Mattix purchased it.

He plans to open the opera house to the public in the near future by appointment only. Admission will be free.Prior to Aion Kinah I leaned toward the former,

"I love history," Mattix said, inviting groups of 10 to 50 to make an appointment for a tour of the property that he would guide.

His affection for what has come before is displayed in the work he's done, lovingly cleaning and painting the opera house. Under glass in an entryway are postcards depicting the Marion area in its early days. Prints of historical events adorn the walls, and on either side of the opera house stage are duplicates of the Declaration of Independence and the Mayflower Compact.

"The love of history I have is just something I was born with," he said.

To enhance the experience further, he's planted thousands of trees on the 600 acres of land, including the approach to the covered bridge, which he named the Andrew Bennett Covered Bridge after a man whose grave he found on the property.

"It takes you back into the era of when our founding fathers came into this area," he said.

Across the road and on other nearby sites,The additions focus on key tag and plastic card combinations, once stood a general store, post office, hotel, schoolhouse and a train station, among other buildings.If any food billabong outlet condition is poorer than those standards, The structures sprang up to serve the workers of the Owens quarries, which opened in the mid-1800s, he said. The opera house is one of the few surviving buildings.

"People that would perform starting in Toledo and they would stop at every little town ... for the people that worked at the quarries," he said.

Mattix welcomed the visit by the genealogy society, the first organization whose members entered the opera house after his restoration work.

He particularly enjoyed the connection Susan Matthews, the group's vice president who presided for the gathering, had with history. She's a descendant of a signer of the Declaration of Independence.

"Being a history buff, you know I got a kick out of that," Mattix said.

Matthews said her group appreciated being able to visit.

"Being the genealogy society, we're interested in the history of those things," she said. "We were pretty honored to be the first group to visit that building in 80 or 90 years. Our group was real impressed. ..which applies to the first glass bottle only,. He's got a really neat place there."

His goal for his project is "to depict the history of the men who made this country what it is."

He decided to share his love of history with others "because I had a lot of friends who wanted to go through it.100 Cable Ties was used to link the lamps together. I told my wife, 'If we're going to open it up to some people, we're going to open it up (to the public).'"

2011年7月3日 星期日

Headstash On The Road: Electric Forest Day 3

The sun finally decided to come out and stay out on day three of Electric Forest, prompting lots of activity around the festival grounds.Full color plastic card printing and manufacturing services. With the addition of the many attendees who bough weekend passes, it started to get pretty crowded in Rothbury, MI.

The first big performance of the day was a late addition to the lineup, Keller Williams. This daytime set was perfect ¨C the weather was beautiful and everyone came out of his or her campsites to play.

It's always fun to see Keller during the day ¨C his songs are light and silly, making for a goofy afternoon. In the crowd during his set, there were hoopers galore, people walking around on stilts, a couple giant puppets dancing their way across the field and giant Wayne Coyne-style beach balls bouncing over the crowd.

Highlights of his set included "Uncle Disney," a song Keller put out with The Keels, a long, jammed-out "Kidney in a Cooler" that had a "Deep Elem Blues" tease in it and his final song, "Positive Reggae," which had half the crowd lighting up.A glass bottle is a bottle created from glass.

Just like many of the artists at Electric Forest, Keller strayed at times from his typical style, making his bass more electronic and echoing it out over the crowd.

Later in the afternoon, 80s rockers REO Speedwagon put on their "Saturday afternoon special" to warm up the crowd for String Cheese. At the same time, Lettuce was getting funky at Sherwood Court.

The show wasn't as packed as it could have been because of the conflict, and festivalgoers were so confused by their appearance on the bill that they had to check the aging band out.

However, that didn't stop Lettuce from throwing a wild dance party.When the stone sits in the kidney stone,

Post Cheese,From standard Cable Ties to advanced wire tires, Big Gigantic began the late-night electronic dance party. Saturday night would prove to be an all-star event.Free DIY Wholesale pet supplies Resource! In addition to the sax-drums Colorado duo, Bassnectar, Shpongle and Skrillex threw battling dub dance parties.

Midway through Big G, the much-anticipated Bassnectar claimed the Ranch Arena as his own. Bassnectar's crowd was packed, but his set deviated from his normal womp-fest. It seemed as if, like so many other artists, he was catering to the crowd and wanted to play some of his more accessible material.


Sure, there was a lot of bass in there, but it wasn't the overkill that his sets can sometimes feel like. One of the highlights was a remix of The Cataracs and Dev's "Bass Down Low" that instantly made the crowd get closer to the ground.

Shpongle continued the electronic evening with his trippy presentation of the Shpongletron. A 3-D face with projections of eyes and crazy designs decorated the middle of his three-tier stage making his show a true spectacle. His beats are a different type of funkier electro and make for some super-fun dancing. Highlights included the opener, "Divine Moments of Truth," "Shpongleyes" and "My Head Feels Like a Frisbee."

Closing out the night on the smaller Tripolee Stage was up-and-coming dubstep master Skrillex. By the end of his set, the field was completely packed as he continued to get everyone riled up ¨C which then led to various dubstep blaring stations throughout the campsites for early morning after after-partying.

At one point during the set, Skrillex managed to get a significant portion of the crowd to put girls up on their shoulders and dance.

Saturday really defined the festival, displaying the two very different groups of people that made of Electric Forest 2011: the dubsteppers and the jam banders. At all points during the festival, there is someone playing that caters to theses two groups.

It's also interesting how all of the artists have been catering to the crowd. All of the speculation about the varied lineup of Electric Forest seems to have made the artists adjust their playing slightly, making for very unique and, ultimately, awesome shows.

2011年4月7日 星期四

Packard Bell and Amiga Enter Android Tablet Fray

Two prominent names from the 90's PC era have entered the Android tablet game,

hoping  to grab a piece of the pie.  Amiga is rolling out a pair of Android 2.2

tablets in 7-inch and 10-inch variants, both of which can be purchased immediately.

According to the email we received, the 7-inch Xpedio 7 MT model will be nearly

identical to the Galaxy Tab with a 1GHz processor, 512MB RAM, and 16GB storage. At

$299 it will be a tough sell against the likes of Samsung, especially with its 800 x

480 resolution screen and 1.3-megapixel camera. The 10-inch version (Xpedio 10 MT)

looks to fetch $449 and should have the same internals save for its larger screen.

The picture you see above is said to be a stack of their tablets rolling off the

assembly line. Amiga promises that these tablets will see Honeycomb once Google

releases the code to all.

Currently, Amiga is donating at least $25 of each purchased tablet to relief efforts

in Japan and Haiti. Down the road, addition initiatives and schools will benefit

from the Amiga cause. All one has to do is enter Japan or Haiti in the promotional

code section when checking out with their purchase.

Packard Bell plans to offer a slightly more powerful experience with their new

Honeycomb-powered Liberty Tab. Hardware looks to feature a 10.1-inch display at

1280x800 with a 5-megapixel camera on back and 2-megapixel snapper on front. Other

details include an NVIDIA Tegra 2 chipset, USB ports, and support for Wi-Fi, 3G,

HDMI, Bluetooth, and GPS. Europeans can pick theirs up later this summer (June) in

either Pearl White or Cherry Red.